Friday, March 29, 2024

Tom & Jerry Review – IGN

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Tom and Jerry, the perpetually conflicting feline and rodent who fought for our fun in over 160 Hanna-Barbera animated shorts (as well as numerous TV shows and movies) since 1940 – not to mention the inspiration for Itchy and Scratchy of the Simpsons – – now play in their own large city set, live-action / animated hybrid adventure. And it doesn’t quite hit the mark. Filled with frequent flashes of pleasure, Tom & Jerry ends up getting bogged down with an overload of, well, let’s call it humanity. In an effort to bring the cartoon world and real life closer together, the headlining duo often feel sidelined and complementing ChloĂ« Grace Moretz’s Kayla story and her ploys and scams to keep a job she found her way into in a luxurious Manhattan Hotel. The Cat and Mouse disappear for long stretches of the film while Kayla’s constant crucibles too often make it seem like they should exist somewhere else, in a different movie.The cast, which includes Moretz, Michael Peña, Rob Delaney, and Colin Jost, are a bunch of lively and fun play performers ready to dive wholeheartedly into the silliness involved in interacting with animation, upping it a bit their performances to fit into a world that is just a little more wacky than ours. Dynamic gestures, big expressions, and an increased touch of sitcom-iness are essential for playing stage partners that are only in your imagination.Everyone here, from top to bottom, knows what the movie is all about. and what he’s supposed to feel. , but the stakes are often odd (are we supposed to root for the ultra-rich? Or a mouse who, let’s be honest, is a bit the worst?) and the story seems a bit overweight on one side, with too much attention given to real people. As family entertainment, Tom & Jerry is a perfectly adequate offering, although depending on expectations some viewers may be disappointed to find less of Tom and Jerry in attendance than the title suggests.

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To be fair, both Tom and Jerry are non-speaking characters and it’s hard to create a full story around that. There aren’t too many hard and fast rules in this specific world except that all animals are cartoons, and randomly some can talk (understood by other animals and maybe some humans). It’s a loose enough setting that Tom and Jerry can continue their chaos, with a few moments pulled out of old shorts routines. There are segments of cheerfulness that land very well but the story is a bit too choppy to keep the momentum going.

As Tom and Jerry arrive in New York City and start bickering in Central Park (from a situation for which Jerry is 100% responsible), con artist Kayla makes her way into a temporary gig at The Royal Gate, a historic hotel that hosts a huge celebrity wedding. Kayla’s outspoken manners appeal to him very much, except for Terrence, the nerd of Peña’s rigid hospitality. Thanks to Kayla’s willingness to keep a job she isn’t qualified for and Terrence’s need to expose it as a fraud, Tom and Jerry, and their penchant for hitting each other, get used like pawns in bigger human plots.

This is the main reason why they both feel underused. Much of what they do is not in the service of their own history. Of course, neither has an abundance of internal wants or needs. Jerry wants a nice, warm home and Tom dreams of – uh – playing the keyboard as the opening act for John Legend? Either way, this is the thinnest part of the movie. Director Tim StoryThere are some interesting elements here, filling the movie with tunes from old-school hip-hop legends like A Tribe Called Quest and De La Soul, and the solid choice to make Jerry a super troll, but the end result is a mix of good intentions, sporadically animated moments, and imperfect use of the title characters.

2021 film preview

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